India’s first improv troop seeks laughs in Seattle

Avinash Verma (center) and Ankit Challa (right) of Improv Comedy Mumbai play an Indian restaurant owner and his inebriated son during an the International Festival of Improvisation at the Market Theatre last weekend. The group is debuting a show called Red, White and Bollywood at the same theatre this weekend. (Photo by Alex Stonehill)
Avinash Verma (center) and Ankit Challa (right) of Improv Comedy Mumbai play an Indian restaurant owner and his inebriated son during an the International Festival of Improvisation at the Market Theatre last weekend. The group is debuting a show called Red, White and Bollywood at the same theatre this weekend. (Photo by Alex Stonehill)

A mournful loner walks into an Indian restaurant looking for butter chicken, only to find an angry father frantically waiting tables around his drunkenly marauding son. It’s the type of absurdly silly and genuinely empathetic scene only improv theater could provide — with an Indian twist by way of Mumbai.

The father and son in this scene, which I caught at the Market Theater last weekend, are both members of India’s first theatrical improv company, which is performing in Seattle this week as guests of local company Unexpected Productions.

Improv Comedy Mumbai was founded two years ago by Seattle native Adam Dow, who himself came up through Unexpected Productions. He says he saw an opportunity in the “L.A. of India” where actors and performers are plentiful and comedy is popular.

“I saw a need for classes,” says Dow, a Franklin High School and University of Washington graduate who now splits his time between Seattle and Mumbai, “A lot of stand up [comedy] was happening already but not a lot of improv.”

And while local performers were eager for the opportunity to learn improv, it took audiences a moment to decide they wanted to watch it.

“Stand up is a solo act and they come prepared,” says Preeti Singh who is a TV writer and radio DJ by day and has been with Improv Comedy Mumbai for about a year, “Improv is teamwork, we’re a group and we come totally unprepared, it’s unscripted and based off suggestions [from the audience].”

That unscripted quality and audience inclusion is in contrast with the highly choreographed and produced Bollywood productions Mumbai is famous for. And while it’s taken a few years, Comedy Mumbai performers say audiences are now growing.

But the company hasn’t completely denied the glittery lure of Bollywood. In fact, they’ve capitalized on it. The group has become known for their “Bollywood format,” where audience members are asked for locations and themes that are used to create an entirely improvised Bollywood movie, from beginning to end, with song and dance numbers, on the spot.

Though they’re all quick to reassure me that their show is only an hour and half long — not the three hour plus runtime of most Bollywood films.

They’ve bought their act to Seattle in the form of a show called “Red, White And Bollywood.” They’re performing at the Market Theater next to the gum wall (just follow the smell of heat activated Bubble Yum if you get lost) and promising an unconventional — and air conditioned — way to celebrate Independence Day weekend.

Eeshan Tripathi, Dhruv Lohumi, Adam Dow, and Preeti Singh of Improv Comedy Mumbai — the first improv troop in India. The Mumbai crew was started by Dow and is in Seattle this month for a string of special performances. (Photo by Alex Stonehill)
Eeshan Tripathi, Dhruv Lohumi, Adam Dow, and Preeti Singh of Improv Comedy Mumbai — the first improv troop in India. The Mumbai crew was started by Dow and is in Seattle this month for a string of special performances. (Photo by Alex Stonehill)

Indian actors adopting a western style to reenact Bollywood dance numbers in honor of the 4th of July might sound too weird to work. But improv comedy is just the medium for this type of cultural mash up madness.

“Stand up [comedians] say ‘this is my story,’” says Ankit Challa (the inebriated son) who believes improv moves flexibly across cultures because it’s participatory, “We say ‘ok, let’s create a story’”

Challa admits that story can get a little confusing when you’re struggling with cultural references and language barriers (the group performs in Hindi at home and in English abroad).

“We figure out the story along the way,” he says, laughing at the memory of performing in a recent skit about lamaz classes, which he’d never even heard of.

Challa says he looks for the universal instead of obsessing over cultural accuracy in his performances. Whether it’s a person with a desperately full bladder, a vain muscle builder or a misbehaving drunk, some humor needs no translation.

And when that approach fails, well, that’s ok too.

“What people enjoy is the struggle,” says Challa explaining that improv inspires him and audiences because failure is as likely as brilliance, “They like things that are imperfect.”

Whether they’re in Mumbai or Seattle.

“Red, White, Bollywood” is showing at The Market Theater tonight at 8:30PM, July 4th at 7:00PM and July 5th at 8:30PM.

Sarah Stuteville

Sarah Stuteville is a print and multimedia journalist. She’s a cofounder of The Seattle Globalist. Stuteville won the 2011 Sigma Delta Chi Award for magazine writing. She writes a weekly column on our region’s international connections that is shared by the Seattle Globalist and The Seattle Times and funded with a grant from Seattle International Foundation. Reach Sarah at sarah@seattleglobalist.com.
Sarah Stuteville

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