‘Poetry on Buses’ brings Seattle’s languages, cultures along for the ride

King County and 4Culture are collaborating on Poetry on Buses, which brings poetry from different cultures and languages to mass transit. Photo by Timothy Aguero for Poetry on Buses.
King County and 4Culture are collaborating on Poetry on Buses, which brings poetry by local authors with different cultures and languages to mass transit. (Photo by Timothy Aguero for Poetry on Buses.)

What does home mean to you?
There is a rice field in Manila that smells like
The nape of my mother’s neck.
This is how I have dreamt her for many moons.
Heart strings tuned to the chord of umbilical
I strum her song with each breath in
Remembrance of who I am from.
—Kyle Ricci, 29, “Momma’s song.”

Kyle Ricci’s ode is one of 365 poems by local poets that you might see on the 4Culture website or your bus commute home as part of “Poetry on Buses,” a program organized by arts organization 4Culture and King County Metro Transit. The concept debuted in 1992, featuring fifty poems a year from Seattleites of all ages and backgrounds that were printed on placards and displayed on buses.

After a 7-year hiatus, “Poetry on Buses” returned last year with a goal of expanding its reach—not only in number of poems, but into the hearts of the Seattle-area’s many different cultures, languages and traditions.

“We want to work with as many communities as we can, its part of our mission with 4Culture,” said Christina DePaolo, a spokesperson for 4Culture.

In the relaunch, 4Culture identified the top four languages spoken in King County: Spanish, Vietnamese, Russian and Somali. They hired poet Roberto Ascalon as a “Poet Planner,” and also hired liaisons and language translators.

Poets submitted more than enough poetry to feature one poem a day for a year on the Poetry on Buses website. Riders will see poetry on 125 placards on the King County Metro’s RapidRide lines. Submissions were selected by Ascalon and other esteemed poets including Hamdi Abdul, Kathleen Flenniken, Carlynn Newhouse, Raul Sanchez, Mong Tu Tran and James West.

Roberto Ascalon, poet planner, leading a workshop for Poetry on Buses. (Photo by Timothy Aguero for Poetry on Buses.)
Roberto Ascalon, poet planner, leading a workshop for Poetry on Buses. (Photo by Timothy Aguero for Poetry on Buses.)

Beyond the poetry, this process became a cross-cultural experiment that bridged boundaries, forged friendships and created space for communities that have historically not interacted with one another. The program included poetry events around Seattle in libraries, community centers, the Moore Theater and people’s homes. Attendees wrote and shared their original poetry and the poetic traditions from their native lands.

“Never have these communities been able to butt up against one another,” Ascalon said.

At one event, Somali audience members listened to Vietnamese sung poetry. “It was one of my favorite community experiences around poetry that I have ever done,”Ascalon said.

And clearly from the response, poetry has become a catalyst for creating community across cultural divides, shattering the Seattle freeze and providing an opportunity for people to engage one another in a deeper way.

“When people ask me where home is, it’s a complicated question,” says poet Michelle Peñaloza, who will host poetry readings for “Poetry on Buses.” “Poetry is a beautiful way and a productive way to enter into these conversations.”

Lately, it’s been explosive to talk about where we’re from and who we appear to be, as people battle over immigration reform and in protest of excessive police violence against people of color. Many different people, communities, and organizations attempt to discuss identity, but this is one approach that is unifying.

“There is something about poetry. I think part of it is that poetry is a very old tradition. It’s one of our oldest expressions as human beings,” Peñaloza says. “We’ve always had stories and we’ve always had our voices and there is something primordial that’s different that’s something that poetry keys into.

Whatever it is, it’s working.

“I don’t think there is another project in the country that does this kind of translation project with the people,” says Ascalon. Other cities such as Boston have public poetry programs, he says, but they don’t have the language liaisons that have been so integral to Seattle’s program.

Who knows if it will continue. Metro had a budget for outfitting their new RapidRide buses this year, but next year, this money may not be available.

Given the important strides made in fostering community, 4Culture hopes other local organizations will step in to make sure this project continues.

More than poetry, Ascalon says, “it’s a way to access diversity and a way to access social justice that is kind of under the radar.”

What will be the next iteration? Are there other forms of creative expression that can do the same thing and will Seattle come together to make this a priority?

Poetry on Buses Roadshow

If you can’t make it to a bus, the Poetry on Buses Roadshow will bring some of this experience to a library near you.

Poet Michelle Peñaloza hosts three poetry readings in the series and also writing workshops further exploring the concept of home. The first was last Saturday at the Covington library. The next two are at 1 p.m. May 9 at the Bellevue downtown library and from noon to 6 p.m. at the Fisher Pavilion at the Seattle Center during Folklife on May 23.

3 Comments

  1. This article bring to my mind the quote by Lawrence Ferlinghetti: “Poetry is eternal graffiti written in the heart of everyone.” ‘Poetry on Buses’ looks like a brilliant initiative to integrate people from various cultures, ethnic groups and languages. We are all stories and poetry is one of the most strongest ways to express these stories and connect with people. In my country, India, too there are a lot of internal fissures along caste and religious lines. Poetry and folk songs on public platforms, especially in metropolitan areas, have started emerging as a viable and and effective way that make people move beyond such superficial schisms and truly associate with others as human beings with shared stories of love and fear. Such platforms build empathy which is extremely necessary for such a diverse country to live harmoniously. Thanks for this, Reagan Jackson!

  2. I am looking for a quotation that was printed on a bus stop shelter in the Seattle area. It is no longer there.
    Is there any way I can find it? (I don’t have the location right now, but could get it) The quotation had to
    do with salt water, tears, the ocean.

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