Tasveer’s 10th film festival brings South Asian geopolitics home

A Thin Wall – Trailer from Painted Tree Pictures on Vimeo.

As we witness the current tragic Syrian refugee crisis, we are reminded of how significant physical space and man-made borders become in moments of crisis and how important it is to understand history with the perspectives of those most deeply affected by it: individuals who lived through it.

The Partition of India in 1947, the largest mass migration in human history, was responsible for the loss of home, family and friends for millions, and shaped the future South Asian geopolitics for the next 60 years. Yet, not very much oral history is documented of people’s personal experiences with this world-changing event.

Thanks to the Seattle South Asian Film Festival, Seattleites have the chance to watch and meet the filmmaker of  “A Thin Wall,” a documentary that captures a range of memories from both sides of the border.

From the recollection of a then 26-year-old man imprisoned for non-violent political activism with the Muslim League, to a then 5-year-old girl’s reminiscence of what life was like on “the other side” in India, memories of the partition are deeply alive in the minds of the multiple generations shaped by it.

"A Thin Wall" director, Director Mara Ahmed. (Photo courtesy of Mara Ahmed)
“A Thin Wall” director, Director Mara Ahmed. (Photo courtesy of Mara Ahmed)

The film is the work of Mara Ahmed (also writer and director of “The Muslims I Know”) and Surbhi Dewan (co-producer), who trace their roots back to both sides of the border: Pakistan and India, respectively. Nearly a decade ago, Ahmed and Dewan met in Rochester, New York and started discussing the legacy of the partition, inspiring the idea to create a documentary together to show the impact more than 60 years later on both sides of the border. Just the fact that Ahmed and Dewan were able to come together to create this film over the next seven years was a testament to the freedom Pakistanis and Indians in the diaspora felt in discussing the partition, versus “at home.”

“It was clear that our inability to dialogue is geography-specific,” said Ahmed, of screening “A Thin Wall in South Asian communities in the U.S. when she first launched the film in April. “It is politicized, localized, propagandized [in Pakistan and India]. In the U.S., where all nationalistic-created barriers are taken away, we begin to interact normally. The geopolitical and emotional walls begin to crumble.

Millions living the greatest migration in human history crossed the borders with nothing in hand, leaving all or most of their possessions behind.

“Many people would rather forget [this immensely painful chapter in history] than revisit it,” Ahmed explained. “There is also a nationalistic element to it. It is easier to keep the hate and paranoia going in both India and Pakistan if there is no acknowledgement of what our side did to the other side, if there is no focus on individual stories, if there is no recognition of our common humanity.”

Audiences are reminded how complex and traumatic the memory of “home” can be, and also how universal it is as this year’s festival theme, “#ComingHome.”

“What is home and how do we define it?” is a question that resonates with all of us.

Get inspired by “A Thin Wall” and five other other SSAAF films to help spark this fascinating discussion:

1. “For Here or To Go?

Set against the backdrop of the 2008 recession, the film highlights the visa struggles faced by immigrants in America. It is a funny, heartwarming story about how complicated simple decision-making becomes when you are forever regarded as a temporary worker.

2. “With You Without You” 

The third film in Prasanna Vithanage’s anti-war trilogy, following “Death on a Full Moon Day” and “August Sun” (both of which are also playing at SSAFF). Set in post-war Sri Lanka, “With You Without You” is based on Dostoyevsky’s “A Gentle Creature,” and follows the story of two individuals coming together from different ends of the 30-year Sri Lankan Civil War, tracing the ways in which the war still haunts them.

3. “Dukhtar”

Filmed in the stunning Hunza Valley of Pakistan, Dukhtar (which means “daughter” in Urdu) is the story of a woman who flees from her home in order to protect her daughter from becoming a child bride. They are aided on their journey by a stranger, a truck driver with a past of his own.

4. “Pistachio Milk”
A screenshot from the Avram Dodson film.
A screenshot from the Avram Dodson film.

A lighthearted short film from Bangladesh about a young boy, Atif, who with a little determination, tries to woo the girl he likes with pistachio milk.

5. “Killa”

Coping with death, new beginnings and a new home through the eyes of an eleven-year-old, “Killa” is a coming-of-age drama about a young boy’s move to a new town and the new relationships he forms there.

Tasveer’s 10th Seattle South Asian Film Festival takes place from Thursday, Oct. 15 through Sunday, Oct. 25 at various venues in Bothell, Redmond, Bellevue, Kent and Seattle.

To buy tickets and check out the full lineup, please visit ssaff.tasveer.org/2015

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